Historic polychromy
Old polychromy — often fragile, sometimes covered by successive over-paintings — is consolidated, re-adhered and gently cleaned. Losses are retouched with watercolour or traditional pigments, in a fully reversible approach.

Speciality
Religious statues, tabernacles, consoles, panelling, interior architectural elements: every gilt-wood or polychromed object benefits from a conservative approach. Our goal: prolong the life of the piece without erasing its history.
Old polychromy — often fragile, sometimes covered by successive over-paintings — is consolidated, re-adhered and gently cleaned. Losses are retouched with watercolour or traditional pigments, in a fully reversible approach.
Worm-eaten wood, splits, loose joints: we work on the substrate with compatible materials (animal-skin glue, conservation resins, matching wood).
Gold leaf losses are retouched using the original technique (oil or water), then patinated to blend into the old gilding.
FAQ
Yes, we regularly work on tabernacles, statues and retables in partnership with parishes and municipalities.
Yes, with care. Preliminary solubility tests determine the least aggressive method for the original layer.
An heirloom mirror, a damaged frame, a gilded console: every piece deserves careful attention. Get in touch to discuss your project or request a free quote.
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